You will inherit large sums of money
(But someone dear to you will have to die first).
You will travel far and see the wide world
(And load yourself with debt; these things aren’t free).
You can relax now. You’ve been through the worst
(But it consumed your youth, and now you’re old).
You will enjoy many warm times with friends
(But they will sneak your booze and filch your smokes).
Your fortune is in some other cookie
(Hard to argue the message that one sends).
You are very important to your folks
(They will never let your life be easy).
A fortune is only worth what it covers
(Believe what you like, discard the others).

Publisher’s Announcement

Calculated to reflect the sixty minutes in an hour of heightened imaginative contemplation, the poems in Ernest Hilbert’s first book, Sixty Sonnets, contain memories of violence, historical episodes, humorous reflections, quiet despair, violent discord, public outrage, and private nightmares. A cast of fugitive characters share their desperate lives—failed novelists, forgotten literary critics, cruel husbands, puzzled historians, armed robbers, jobless alcoholics, exasperated girlfriends, high school dropouts, drowned children, and defeated boxers. These characters populate love poems (“My love, we know how species run extinct”), satires (“The way of the human variety, / Not even happy just being happy”), elegies (The cold edge of the world closed on you, kissed / You shut”), and songs of sorrow (“Seasons start slowly. They end that way too”). The original rhyme scheme devised for this sequence—ABCABCDEFDEFGG—allows the author to dust off of the Italian “little song” and Americanize the Elizabethan love poem for the twenty-first century. Speaking at times in propria persona (“We’ll head out, you and me, have a pint”), at times in the voice of both male and female characters (“I’m sorry I left you that day at MoMA”), at times across historical gulfs (“Caesar and Charlemagne, Curie, Capone”), Sixty Sonnets marshals both trivia and tragedy to tell stories of modern America, at last achieving a hard-won sense of careful optimism, observing “the last, noble pull of old ways restored, / Valued and unwanted, admired and ignored.”