Calculated to reflect the sixty minutes in an hour of heightened imaginative contemplation, the poems in Ernest Hilbert’s first book contain memories of violence, historical episodes, humorous reflections, quiet despair, violent discord, public outrage, and private nightmares.
A.E. Stallings writes that “like the minutes of the hour, these Sixty Sonnets both combine to make a whole and shine as individual moments.”
Sixty Sonnets delights in a decidedly badass bravura. Hilbert’s red-blooded diction and febrile
subjects put paid to any lingering suspicions about traditional verse’s chronic anemia.
subjects put paid to any lingering suspicions about traditional verse’s chronic anemia.
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