“The New America!” A brash mosaic
of colors, creeds, and pieties besides
until it all becomes a bit prosaic.
William Montgomery, I heard, has died,
coughing through a cold he couldn’t shake
from dampness that had clung two hundred years
to family names. Or was it for our sake
that he expired? Try to stanch your tears.
He left a note, though suicide’s ruled out.
His was a different vector of despair—
a weakened chin, advancing flares of gout,
a vague, unwholesome vapor in the air.
You can’t think that you’re rid of me. I live
in every monument in every town,
in every sin too hideous to forgive,
in western fields, fallow now, and brown.
I am the past you wish you could forget,
I am the way and light. I’m Henry James
and Henry Adams, a battered TV set
in black-and-white. I’m the one you blame
when someone burns a flag or commandeers
a plane for no good end.
your fickle memory, your dearest fears,
a promise that was much too good to last.
I am your poet locked up in a cage,
the Man of the Year mass-murderer in Time,
your outward politesse, your hidden rage.
I am the verse that clangs shut with a rhyme.
The modern’s “post-.” The culture’s “multi-” now.
capitalism’s shaky, and it’s “late.”
The cast, though, stays on stage, the final bow
has yet to come for this, the nation-state.
I am the rebel yell, the hallelujah,
the congregation and the preacher’s scorn,
the glass of chardonnay with ratatouille,
the Bible tract, the badly hidden porn.
I am the thinner in your children’s blood.
I am the cancer in your cigarette.
I’m Caesar, Pompey, Crassus, Elmer Fudd.
Don’t think you’ve gotten rid of me quite yet.
So don’t send flowers. Give to charity—
the church of your choice, or this week’s favorite cause.
For God’s sake keep your head down, and you’ll see
you won’t change many minds—or any laws.
4 Comments
Quincy has the magic combination of relevance and attitude and a dashing musical pace. With his other gifts of wit and irony he’s got a pretty interesting voice. He is a poet who can engage the interest of even the most jaded readers who had given up on poetry.
Provocative stuff! Thanks for publishing it.
I suppose this is the type of poetry to expect from failed Ph.D students. Ho-hum. Nothing to watch here. By the way, is it 1960 AGAIN?!
Bob Cratchet,
I think you have chosen the wrong moniker. I suggest ‘Ebenezer’.
Jan Schreiber writes in: Merely rhyming “hallelujah” with “ratatouille” should qualify one for a major prize.